Arquivo virtual da Geração de Orpheu

Almada Negreiros e Sarah Affonso

O Arquivo Virtual começou a ser constituído por dois espólios importantes: o de Almada Negreiros (1893-1970), multifacetado escritor e artista plástico, e de Sarah Affonso (1899-1983), sua mulher, figura marcante da pintura modernista. O seu espólio conjunto inclui manuscritos literários, fotografias, cartas, documentos e obras plásticas, e está hoje em depósito no Centro de Estudos e Documentação Almada Negreiros Sarah Affonso (CEDANSA - NOVA FCSH).

 

Medium
F. Pessoa - Heterónimos ingleses
BNP/E3, 49A4 – 65
BNP/E3, 49A4 – 65
Fernando Pessoa
Identificação
Fernando Pessoa – “The day is dark and the rain falls in breaths…”

[BNP/E3, 49A4 – 65]

 

The day is dark and the rain falls in breaths,

A shallow blackness rests upon our sense,

It is a day that like a vague fog wreathes

A dimness round our chill intelligence.

 

To-day I cannot hope, sing nor aspire.

All things seem futile that resemble light.

The city’s noise sinks like an ending fire,

And the eyes ache upon the sick day’s affright.

 

The purpose of all willing, the commotion

That gives life blood of action and belief

Are now appeased, like waves of a great ocean

When the wind fades and festers in rolled grief.

 

The power to think of action as possible

Sinks. The bright things that compel hopes to hope

In folded flower fashion to-day dwell,

And our void heart no longer weeps nor gropes.

 

All in my soul takes on the unity

Of omnipresent rain and grey turmoil

Of inward slackness. There comes upon me

The sense of uselessness in all that’s toil.

 

No, no to-day your voice nor your sweet ways

They have no meaning when this warm rain falls

And seems to make this day to mean all days.

All that now is tires, sickens or appals.

 

To-morrow, child, to-morrow we can smile.

To-day too many things weigh on my heart:

All my lost efforts, all I was awhile,

All that I had and had soon to depart.

 

My life to-day resembles a great plain

That caravans no longer cross, a sea

That there’s no reason to sail through again

And so becomes a sterile unity.

 

No, speak not to me. Not a word: I must

Think of my sorrow, lest I sorrow more.

My head is bowed in the wetted dust

And my soul weeps on the desert shore.

 

I know all pessimists are right to-day.

All poets that have sung of black despair

Are right this moment of dark rain and sway

For all a supposed future my soul’s air.

 

My heart – Oh, how again the rain comes down

Into my consciousness with blackened might.

 

11-9-1915 

 

[65v]

 

These are sad hours and sometimes I do fear

That, as life grows in me and gathers thought,

It may become ever more like this drear

Wet day that trickles down the walls

 

Perhaps the meaning of my future self

Will be no gladder substance than this day.

Who Knows? To think I think this, and the pelf

Of hours crumbles in sense in my mind’s

 

Throw not a word across my silent grief!

Clap no words’ hands before my suffering hour!

All things are difficult now, and even belief

In better days ends like a faded flower.

 

Yet some hope comes… No it comes not. I force

Out of mere intellect the hope of it,

But all my feelings droop and must perforce

Belong to sadness like a dropping leaf.

 

Some hope, some day… There are no hopes nor days…

There is to-day, the rain and my despair,

And the loud wetness that with chill dismays

Anoints[1] the empty sickness of the air.

 

There is no reason to hope, to help, to seek.

There is no force to toil, to dare or act.

The thoughts that now arise are pale and weak

And from their own selves their selves detract.

 

Oh that the night may come and bury all

And the great modest dim oblivion

Where I may sleep and lose myself and call

No longer on my grief and {…}

 

Oh for the night, the night that comes and wakes

The street lights and the rest that must touch me,

Oh come, sweet vision whose unseen hand takes

Griefs sight from grief and makes being cease to be.

 

To correct very much

 

11-9-1915

 


 
[1] Anoints /Afflicts\

https://modernismo.pt/index.php/arquivo-almada-negreiros/details/33/8321
Classificação
Literatura
Dados Físicos
Dados de produção
11-9-1915
Inglês
Dados de conservação
Biblioteca Nacional de Portugal
Palavras chave
Documentação Associada