Arquivo virtual da Geração de Orpheu

Almada Negreiros e Sarah Affonso

O Arquivo Virtual começou a ser constituído por dois espólios importantes: o de Almada Negreiros (1893-1970), multifacetado escritor e artista plástico, e de Sarah Affonso (1899-1983), sua mulher, figura marcante da pintura modernista. O seu espólio conjunto inclui manuscritos literários, fotografias, cartas, documentos e obras plásticas, e está hoje em depósito no Centro de Estudos e Documentação Almada Negreiros Sarah Affonso (CEDANSA - NOVA FCSH).

 

Medium
F. Pessoa - Heterónimos ingleses
BNP/E3, 49A4 – 42
BNP/E3, 49A4 – 42
Fernando Pessoa
Identificação
Fernando Pessoa – “The sky is a great turquoise shining glee…” (e outros poemas)

[BNP/E3, 49A4 – 42]

 

15-7-1915.

 

The sky is a great turquoise shining[1] glee,

All the earth is gathered up in the blue sea

Ev'n the green fields tend thereto in their joy,

The whole day playeth like a happy boy

Among the dales the hours build with their glee.

 

How happy, had I no cares, would I be!

 

But there is too much sorrow in mere seeing

The feminine disease of consciousness

Eats like a worm into the source of being.

The very thought I live gives me distress.

My heart is felt by me like some heavy place.

----------

O heavy day that comes with so much glee

Out of the East.

It turquoises the silence of the sea

And makes a feast

Of blueness of the waves that shiver and flee.

 

O heavy day because my love hath gone

And taken away

His white arms and his lips like poppies grown

Athwart that day

When I first saw him and felt my heart moan.

 

My hands are stretched towards his coming, and

He cometh not.

He seems a woman and his gesturing hand

Too oft bath wrought

Dreams of strange vice with him through my heart's sand.

 

He is scarce more than a child. His body is white,

His arms lie bare

Across my neck and cling like a delight

Of which my share

Is painful like a far sail in the night.

 

Oh, love, return! All this is dreams of thee

Return and wake

My trembling frame to that vile misery

That love doth take

For his body when the lovers are such as we.

 

Golden‑haired boy that cannot love me so

As I love him,

Look, life is short, our lips fade… Ay, I know

I am ugly and dim

But love me a little or seem... Love me and go

Yet love ere going, and then let me dream

On what was real while life fades and goes slow…

 

[42v]

 

Le Mignon.

 

Let them speak ill of me. I do not care.

Why shouldst thou care that fairer art than I?

My lips so oft have rested on thy hair,

So oft on thy lips, and so oft

On thy white arms that yet pretend to lie

On my dreams cushions like a vague thing soft…

 

Let them speak. Life is sweet if thy lips mean

Life. Love is sweet if thou art love.

The scorners cannot know what kisses screen

Our throbbing heart from heart nor prove

That full possession our mad love can scene

With perverse actions like an empire's end

That sinks among the galleys and doth blend

Its sunset with the landscape's emerald green.

 

Let them speak. Put thy hand within my hand

And let us love as maid and boy are said

To love. But we are none and love is red

On our hot souls that thrill and understand.

Oh, to thy bed!

 

Oh to thy bed, fairer than maidens' couches

And curtained over with strange care for strangeness,

Let's to thy bed and kiss naked while touches

Selected from our hotter dreams transcend

Lust with thought lust acted upon our frames.

The magic misery of our wedded names

Shall light the future with impassioned strangeness.

 

Antinous! – Ganymede!

I shall so Hadrian and Jupiter to thee

Along our love shall flower many we recede

To be delightful to our eyes that see

Only each other, yet others the mead enter

Our corner[2] of seeing against our willing it

And all that is between us is the center

Of our love that our bodies {…} other felt.

 

Crown this with flowers and crown further through the morn…

Let a light turn make thy flit tempest more…

Between roses red ardour

By golden hair and on thy body poor 

Strange contest smelling of stupendous Easts

When vices are as strange as the strange beauty

 

Tiger and |worst| snake and elephant

But bitten us |monstrous| through deep forests roam…

O my love, cense 

Let thy suspected ceasing be a chant

Of joy beginning in my nerves that thrill

Can quick and with thy faith for smile whole fill

My maddened heart {…}


 
[1] shining /bathed in\
[2] corner /squint\

https://modernismo.pt/index.php/arquivo-almada-negreiros/details/33/8305
Classificação
Literatura
Dados Físicos
Dados de produção
15-7-1915
Inglês
Dados de conservação
Biblioteca Nacional de Portugal
Palavras chave
Documentação Associada
Fernando Pessoa, Poesia Inglesa, Organização e tradução de Luísa Freire, Prefácio de Teresa Rita Lopes, Lisboa, Livros Horizonte, 1995, pp. 464-468. [O poema “LE MIGNON” encontra-se apenas parcialmente publicado na referência bibliográfica indicada.]