Arquivo virtual da Geração de Orpheu

Almada Negreiros e Sarah Affonso

O Arquivo Virtual começou a ser constituído por dois espólios importantes: o de Almada Negreiros (1893-1970), multifacetado escritor e artista plástico, e de Sarah Affonso (1899-1983), sua mulher, figura marcante da pintura modernista. O seu espólio conjunto inclui manuscritos literários, fotografias, cartas, documentos e obras plásticas, e está hoje em depósito no Centro de Estudos e Documentação Almada Negreiros Sarah Affonso (CEDANSA - NOVA FCSH).

 

Medium
F. Pessoa - Heterónimos ingleses
BNP/E3, 49A3 – 32-32a
BNP/E3, 49A3 – 32-32a
Fernando Pessoa
Identificação
Fernando Pessoa – «To know what this ache is…»

[BNP/E3, 49A3 – 32-32a]

 

To know what this ache is

     No step in me pelf

And what thou pay is no

     Wind in me sings.

 

But be those steps no steps

And be thus winds dreamed wings

Still one ache oversteps

The life tis which it clings

_____________________________________

I am the death of God

|That pangs for holiness when no kings are made kings|

____________________________________________________

 

Set out from sight of shore!

Grow tired of every sea!

All things are ever more

Than most they seem to be…

What steps are those that pass outside my door?

_______

Fail out from shape and thought!

Let sense and feeling fly!

O sadness overwrought

|With joy till wish to die!|

What birds are those that past my window fly?

_______

Wy have those steps halted counted my own,

Why are those wings no longer flying past?

 

[32v]

 

8/2/13

___

God made my shivering nerves his human lyre,

A lyre whose curves in angels' faces end.

When God sings the song is visibly fire

And invisible wings over it bend.

_______

Fountain of incorruptible desire!

O tremulous lark that through infinite-seas doth wend!

My soul, rich with electedness, doth tire

My sense of me with aches with God to blend…

_______

But lo! to live is to be blent with God

Already. We need nought but life – all life –

Pain, evil, hate, lust, treachery, the rod the stipe

Of custom, the bypath of dreams[1], the Knife

All this is God

In God's willed spite.

 

[32ar]

 

1-2  1-3  1-4  1-5  2-3  2-4  2-5

9|8  9|8  9|8  9|8  8|9  8|9  8|9

 

3-4  3-5  4-5

5|12 12|5 5|12

__________________________________

1 – 36

2 – 32

3 – 35

4 – 34

5 - 35

__________________________________

_______

___

The boy plays marbles in the street

He does not think it strange at all.

Sees that in each rolling marble not

The infinite and element soul

And the matter-death of it,

____

_________

{…} – the knife

Evil hideth till it cuts him, the delight

Of death – all these are God in God’s wiled spite.

 

[32av]

8/2/13.

__________

Here in this wilderness

Each tree and stone fills me

With the sorrow[2] of a great glee.

God in His altogetherness

Is whole‑part of each stone and tree…

 

An {…} seeingness

Makes my {…} moan.

(O Godfully alone!)

God in his overbeingness

Survives His death in every tree and stone.

 

Ay, in the barkness and clodfulness

Of tree and sand and stone

God minutely grand,

God in all His Godfulness…

|Lo! My heart has been touched by the great Wand.|


 
[1] dreams /thought\
[2] sorrow /sadness\

Versões manuscritas do poemas «Lost Key», «Inversion» e «Sonnet» destinados a «The Mad Fiddler».

https://modernismo.pt/index.php/arquivo-almada-negreiros/details/33/8029
Classificação
Literatura
Dados Físicos
Dados de produção
8/2/1913
Inglês
Dados de conservação
Biblioteca Nacional de Portugal
Palavras chave
Documentação Associada
Fernando Pessoa, Poemas Ingleses, Tomo III – The Mad Fiddler, edição de Marcus Angioni e Fernando Gomes, Lisboa, Imprensa Nacional – Casa da Moeda, 1999, pp. 174-175; 199-202. [Em aparato genético.]