Virtual Archive of the Orpheu Generation

Literature
Medium
F. Pessoa - Heterónimos ingleses
BNP/E3, 31 – 1-83
BNP/E3, 31 – 1-83
Fernando Pessoa
Identificação
Fernando Pessoa – THE MAD FIDDLER

[BNP/E3, 31 – 1-83]

 

THE MAD FIDDLER

Poems

 

 

 

By

 

FERNANDO PESSOA

 

 

 

It is not claimed for this anthology that it is the best; it is claimed for it that it is not the worst.

 

[2r]

 

2

 

53 poems

 

CONTENTS

 

I. THE MAD FIDDLER.

 

– The Mad Fiddler.................... ✓ 

– The Island......................... ✓

– Lycanthropy........................ ✓

– Spell.............................. ✓        7

– Goblin Dance....................... ✓

– Dream.............................. ✓ 

– “I feel pale and I shiver”......... ✓

 

II. THE SHINNING POOL.

 

– Elsewhere........................... ✓

  “Go: thou hast nothing to forgive”..

17The Poem............................ ✓

  Looking at the Tagus................ ✓        7

  “If I could carve my poems in wood”.

  Suspense............................

21”Fierce dreams of something else”...

 

III. THE WRONG CHOICE.

 

23The Night-Light.....................

  Lullaby.............................

29Summer Moments: I. .................

                 II. .................          8

                III. .................

  Emptiness...........................

  Monotony............................

  Sister Cecily.......................

 

IV. FOUR SORROWS.

39Rivers..............................

40(Far Away)[1]......................... ✓

  Episode.............................          4  

42Nothing.............................

 

V. FEVER-GARDEN.

 

  Fever-Garden: I. ...................

               II. ...................

  The Broken Window...................

  Isis................................

 

[3r]

 

3

 

  Ennui...............................

  L’Inconnue..........................

50Horizon: I. ........................          9

          II. ........................

51Her Fingers Played Absently 

                With Her Rings........ 

 

VI. SONGS AFTER SLUMBER.

 

  The Lost Key........................

  The Sunflower: I. ..................

                II. ..................

  The Hours...........................

  La Chercheuse.......................

– Song................................ ✓        8

  Anamnesis........................... ✓

59Chalice............................. ✓

 

VII. THE DROPPED TORCH.

 

  Elevation...........................

64To One Singing......................

  The Foreself........................

  The Bridge..........................

  The King of Gaps....................          7 

  The Loophole........................

  The Abyss...........................

 

VIII. THE LABYRINTH

 

73-74Fiat Lux.........................

  A Summer Ecstasy....................

77Mood................................          7

79Sonnet..............................

78Inversion..........................

  Summerland..........................

  The End.............................

 

----------

 

[4r]

 

I

 

THE MAD FIDDLER

 

[5r]

 

5

 

substitute

 

The Mad Fiddler

 

Not from the northern road,

     Not from the southern way,

First his wild music flowed 

     Into the village that day.

 

He suddenly was in the lane,

     The people came out to hear, 

He suddenly went, and in vain 

     Their hopes wished him to appear.[2]

 

His music strange did fret

     Each heart to wish 'twas free.

It was not a melody, yet

     It was not no melody.

 

|Somewhere far away,

     Somewhere far outside

Being forced to live, they

     Felt this tune replied.

 

Replied to that longing

     All have in their breasts,

To lost sense belonging

     To forgotten quests.|

 

The happy wife now knew

     That she had married ill,

The glad fond lover grew

     Weary of loving still,

 

|The maid and the boy felt glad

     That they had dreaming only,

The lone hearts that were sad

     Felt somewhere less lonely.

 

In each soul woke the flower

     Whose touch leaves earthless dust,

The soul's husband's first hour,

     The thing completing us,

 

The shadow that comes to bless

     From kissed depths unexpressed,

The luminous restlessness

     That is better than rest.|

 

As he came, he went.

     They felt him but half‑be.

Then he was quietly blent

     With silence and memory.

 

[6r]

 

6

 

Sleep left again their laughter,

     Their tranced hope ceased to last,

And but a small time after

     They knew not he had passed.

 

Yet when the sorrow of living,

     Because life is not willed,

Comes back in dreams' hours, giving

     A sense of life being chilled,

 

Suddenly each remembers -

     It glows like a coming moon

On where their dream‑life embers ­-

     The mad fiddler's tune.

 

[7r]

 

7

 

    stet

Impression

exact

 

The Island

 

Weep, violin and viol,

     Low flute and fine bassoon.

Lo, an enchanted isle

     Moon‑bound beneath the moon!

My dream‑feet rustle through it

     Chequered by shade and beam.

Oh, could my soul but woo it

     From being but a dream!

 

Violin, viol and flute.

     Lo, the isle hangs in air!

Through it I wander, mute

     With too much loss of care.

And the air where't doth float

     No air's, but light of moon.

Its paths are known to each note

     Of viol and bassoon.

 

Yet is it real, that isle,

     As our clear islands mortal?

Do flute, bassoon and viol

     But ope with sound a portal,

And show, somehow, somewhere,

     To what looks out from me

That pendulous island rare

     In a moon‑woven sea?

 

Maybe 'tis truer than ours.

     How true are these? But lo!

That isle that knows no hours

     Nor needeth hours to know,

And that hath truth and root

     Somewhere known of the moon,

Fades in the fading of flute,

     Violin and bassoon.

 

[8r]

 

8

 

Correct

 

|Lycanthropy|

 

Somewhere dreams will be true.

     There is a lonely lake

Moonlit for me and you                    ?

     And like none for our sake.

 

There the dark white sail spread

     To a vague wind unfelt

Shall make our sleep‑life led

     Towards where the waters melt

 

Into the black‑tree'd shore,

     Where the unknown woods meet

The lake's wish to be more,

     And make the dream complete.

 

There we will hide and fade,

     Emptily moon‑bound all,

Feeling that what we are made

     Was something[3] musical.

 

 

So you be ever a dream

     The lake shall[4] never die

|Far window with the lunar gleam (!)

     We lose our sorrow by.|

 

(So nothing of this really is,

     A shall for ever be

|Lone corps that was the lunar dress

     Become eternity!|

 

So might here even now thus seem…

 

[9r]

 

9

 

Stet     Exact

 

Spell

 

From the moonlit brink of dreams

     I stretch foiled hands to thee,

O borne down other streams

     Than eye can think to see!

O crowned with spirit beams!

     O veiled spirituality!

 

My dreams and thoughts abate

     Their pennons at thy feet.

O angel born too late

     For fallen man to meet!

In what new sensual state

     Could our twined lives feel sweet?

 

What new emotion must

     I dream to think thee mine?

What purity of lust?

     O tendrilled as a vine

Around my caressed trust!

     O dream‑pressed spirit‑wine!

 

 

Publ. Ed. Aguilar, 1965

p. 624-625

 

[10r]

 

10

stet

impression

Exact

 

Goblin[5] Dance

 

First there was but the moon

     And the black‑tramelled trees

In the lunar lagoon

     Of the forgotten breeze.

 

Then some unseen thing stirred

     Where the moon‑silence snowed

And a vague whirl unheard

     Vacantly tip‑toed.

 

Slowly, idly, alone,

     Beyond the eyes of sight,

Somewhere invisibly shown,

     They danced their delight.

 

Their far vagueness wound

     Round the heart a pain,

A phantom fear found

     Voluble and vain.

 

The heart remembered lives

     Before loves and homes,

Whose rare memory revives

     Only when this dance comes.

 

A wish for a vague thing soon,

     A loosened sense of selves,

A thing in the soul like moon,

     Aught in the hopes like elves -

 

Tip‑toe aerial gliding

     Shadow‑lunar blent,

Bending, mingling, hiding,

     To and fro they went.

 

Left and right, belonging

     To no place, they swayed.

A low pipe, like longing,

     To their dancing played.

 

There, in the silence dropped

     Like a thing on the ground,

Whirled they awhile, then stopped,

     Then renewed their round,

 

[11r]

 

11

 

Till with their slowing turns

     The cold air grows more bare.

Then the mere moonlight returns

     And there had been nothing there.

 

[12r]

 

12

 

Dream

 

It was somewhere secluded

     In silence and moon.

     All like a lagoon.

No cares there intruded

     Save the vague wind's swoon.

 

Landscape intermediate

     Between dreams and land.

     The wind slept, calm‑fanned.  !

|The waters were weedy at

     Where we plunged our hand.|

 

We let the hand wander

     In the water unseen.

     Our eyes were with th' sheen

Of the moonlit meander

     Of the forest scene.

 

There we lost the spirit

     Of our still being we.

     We were fairy‑free,

Having to inherit

     Nothing from to be.

 

The fairies there and the elves

     Damasked their moonlit train.

     There we shall awhile gain

All the elusive selves

     We never can obtain.

 

[13r]

 

13

 

Correct. stet

 

|Not Myself|

 

I feel pale and I shiver.

     What power of the moonlight

Tremulous under[6] the river

     Thus pains me with delight?

 

What spell told by the moon

     Unlooses all my |soul|[7]?

O speak to me! I swoon!

     |I fade from life's control!|[8]

 

I am a far spirit, een

     In the felt place of me.

O river too serene

     For my tranquillity!

 

O ache somehow of living!

     O sorrow for something!

O moon‑pain the sense‑giving

     That I am vainly king

 

In some spell‑bound realm mute,

     In a lunar land lone!

O ache as of a dying flute

     When we would have't play on!

 

[14r]

 

 

II

 

 

THE SHINING POOL

 

[15r]

 

15

 

Correct

 

Elsewhere[9]

 

Let us away, my child,

     Away to Elsewhere.

There days are ever mild

     And fields are ever fair.

 

The moon that shines on whom

     There wanders happy and free

Hath woven its light and gloom

     Of immortality.

 

Seeing things there is young,

     Told tales sweet as untold,

There real dream‑songs are sung

     By lips we may behold.

 

Time there's a moment's bliss,

     Life a being‑slaked thirst,

Love like that in a kiss

     When that kiss is the first.

 

We need no boat, my child,

     But our hopes while still fair,

No rowers but fancies wild.

     Oh, let us seek Elsewhere!

 

[16r]

 

16

 

Correct.

 

The Shining Pool.

 

Go: thou hast nothing to forgive.

To dream is better than to live.

 

But he shall see the rising sun

Who leaveth everything undone;

Whose mind from his attention's task

Strays like the shifting of a mask.

 

He only shall through greener vales

     Than even those that shine right through

The window‑panes of children's tales

     Wander, who thinks the world anew.

 

Only for him who sits and sings

     On the stiles and forgets his road

Does the fairies' bird spread her wings

     And the fairies' flowers grow more broad.

 

He shall not find a hand to feed

The silent sources of his need.

 

No one shall point the rill where he

May slake the thirst of infancy.

 

|But greener valleys than To‑Day

And dearer thoughts than Far Away[10]

Shall tap at his window and wake

His |freshness| other thirsts to slake.

 

So, like a seamstress sitting still

     At a window in the sunset

     Of a village no steps have met,

He shall belong to nothing ill,

 

But incorporeal, like a wish,

     His soul shall like a rainbow cross

     The rain‑green pastures of his loss

And earth shall blossom into speech.|

 

[17r]

 

17

 

Correct.

Accompainment

|Ode to composing it|

 

What am I? There sleeps in my mind

     A pome all was to express.

I feel it vague as a felt wind

     Definite with only indefiniteness.

 

What am I? Through my soul there sleeps

     As though a † of sight

A pome whose current[11] essence keeps

     Its meaning shut from my inner sight[12].

 

The Poem

 

There sleeps a poem in my mind

     That shall my entire soul express.

I feel it vague as sound and wind

     Yet sculptured in full definiteness.

 

It has no stanza, verse or word.

     Ev'n as I dream it, it is not.

'Tis a mere feeling of it, blurred,

     And but a happy mist round thought.

 

Day and night in my mystery

     I dream and read and[13] spell it over,

And ever round words' brink in me

     Its[14] vague completeness seems to hover.

 

I know it never shall be writ.

     I know I know not what it is.

But I am happy dreaming it,

     And false bliss, although false, is bliss.

 

 

Publ. in “Ocidente”, vol. 74, p. 268

 

 [18r]

 

18

Correct.

 

Looking at the Tagus[15]

 

She led her flocks beyond the hills,

     Her voice backs to me in the wind,

And a thirst for her sorrow fills

     All that in me is undefined.

 

Spiritual lakes walled round with crags

     Sleep in the hollows of her song.

There her unbathing nudeness lags

     And looks on its pooled shadow long.

 

But what is real in all this is

     Only my soul, the eve, the quay

And, shadow of my dream of this,

     An ache for a new ache in me.

 

But what is she that sorrow is?

     And where goes she that sorrow lacks?

What last thing of love is this bliss

     Born even to miss her {…}?[16]

 

The lilies lie between heats and hands.

     Life is too little for the moon.

Yet let the left trees slightly stir.

     |And hope wakes for the will come soon.|[17]

 

[19r]

 

19

omit

 

If I could carve my poems in wood,

By children they would be understood,

 

So near to the sense things have in God

Are both my poems and children's thought.

 

For a child knows that logic and meaning

Are only nothing nothing screening,

 

And a child is one divinely aware

That all things are toys and all things are fair,

 

That a thimble, a stone and a cotton‑reel

Are things we can quite divinely feel,

 

And that, if we make men out of those things,

They are really men, not imaginings.

 

I would therefore I could take my verse

Out of mere ideas and better it worse

 

To visible carving or drawing or what

My verses could be resembling that.

 

Then would I be the children's poet,

And, though perhaps I might never know it

 

With the outer sense that makes life sadder,

In every innocent face made gladder

 

God would be giving my soul the sense,

Lost back of knowledge, of recompense ­-

 

The sense of children more children still

When, acting my poems at their glad will,

 

They, playing with toys, with legs incurled,

Lightly err the visible world.

 

[20r]

 

20

 

Suspense

 

I dream, and strange dim powers

     My shining sleep assist;

A sound as of coming showers

     Creeps towards me, loudly hist;

And lo! all my forgotten hours

     Lie round me like a mist.

 

The ghosts of my dead selves

     Weave round me a false mesh;

My undreamed dreams, pale elves,

     Are now part of my flesh;

And all I am my unselfing shelves

     On dreams, out of my reach.

 

I touch impalpable things;

     I am sunny with past days;

Remote sounds, like near wings,

     Flank my blind spirit's ways;

|And from the other side of the big hill rings

     A bell that summons to praise.

 

But I am sick of dreaming,

     Weary of being the same

Over desert spaces of seeming,

     Unwilling player of a game

With life, far star but gleaming

     On dead earths without name.|

 

 

Publ. in “Ocidente”, vol. 74, p. 270

 

 

[21r]

 

21

 

Fierce dreams of something else!

     Frenzy[18] to go away

(O wave in me that swells[19]!)

     From life, where life must stay -

     Life ever at to‑day!

 

Some other place and thing!

     Not a life! not mine so!

O to be a wind, a wing.

A bark me there to bring!

     Whither? If I could know,

     I would not wish to go.

 

 

So long as what we wish 

     Can but wished be,

So long as the arm we reach

Touches the wished thing with our wish

Thus it should reach it, not in reality;[20]

 

So long as what we love

     Is but loved, not loved for

An end of loving, lest it be not above

 

[22r]

 

 

III

 

 

THE WRONG CHOICE

 

[23r]

 

23

 

Correct.

 

The Night‑Light

 

|Nurse, I known now

     That love is vain.

          When I was small

               You used to sing.

And soothe my brow

     Till calm lost pain.

          That song recall

               And to me bring.|

 

I wish to feel

     Again that child

          That you made sleep

               Singing so low,

So low that real

     Things were beguiled

          To make me weep

               At seeing them go.

 

|Nurse, by my bed

     Sing me again

          That song. I love

               Hoping for’t now.

My heart has bled

     Till joy seems pain.

          Sing softly above

               My caressed brow.

 

O regions lost

     In dreams and sleep!

          O fairy tales

               You did not tell,

But that were tossed

     Out of the deep

          Of your song's waves

               And surge and spell!

 

Sing as if you

     Were listening.

          Sing as if I

                Had no more world

Than all night through

      Hearing you sing,

          While my breath sly

               On my breast curled.|

 

Why did I live

     Beyond those hours

          When you sung songs

               Perhaps of queens

 

[24r]

 

24

 

My dream believes,

     Perhaps of flowers,

          Whose lost scent[21] throngs

               Through my sense‑screens[22]?

 

|Why did I lose

     What I had not

          But was your voice,

               My heart and night?

Why did I choose

     Life, |love| and thought,

          With a wrong choice

               And a false right?|

 

Lullaby, nurse,

     Again for me.

          Sing 'till I find

                My heart less lone,

|And life, life's hearse,

     Leaving dreams free,

          Shrink undefined

               Into the Unknown.|[23]

 

You are no more

     My nurse that sings,

          My childhood een

               Made me again.

No: you are the hour

     Of sleep, that brings

          That scene no‑scene,

               That pain no‑pain;

 

Hallowed and dim,

     Brotherly[24] night,

          Wherein my soul

               Is haunted past

The hollow rim

     Of my delight

          And the low dole

               Of pain and haste;

 

Merged in the dark,

      Sunk past the bed

          Into a peace

               Of being nought,

Shadowy bark

     Abandoned,

          Abstract release

               From self and thought.

 

[25r]

 

25

 

Correct

 

Lullaby*

 

My heart is full of lazy pain

     And an old English lullaby

Comes out of that mist of my brain.

 

             Upon my lap my sovereign sits

                  And sucks upon my breast;

             Meantime his love maintains my life

                  And gives my sense her rest.

             Sing lullaby, my little boy,

             Sing lullaby, mine only joy!

                              (insert the whole Lullaby here)

 

 

I would give all my singing trade

     To be the distant English child

For whom this happy song was made.

 

             When thou hast taken thy repast,

                  Repose, my babe, on me;

             So may thy mother and thy nurse

                  Thy cradle also be.

             Sing lullaby, my little boy.)  Between all the tercets repeat only

             Sing lullaby, mine only joy!)

 

There must have been true happiness

     Near where this song was sung to small

White hands clutching a mother's dress.

 

             I grieve that duty doth not work

                  All that my wishing would,

             Because I would not be to thee

                  But in the best I should.

             Sing lullaby, my little boy,

             Sing lullaby, mine only joy!

 

Oh, what a sorrow comes to me

     Knowing the bitterness I have

While that child had this lullaby!

 

             Yet as I am, and as I may,

                  I must and will be thine,

             Though all too little for thy self

                  Vouchsafing to be mine,

             Sing lullaby, my little boy

             Sing lullaby, mine only joy!

 

My heart aches to be able to weep.

     Oh, to think of this song being sung

And the child smiling in its sleep!

 

             Upon my lap my sovereign sits

                   And sucks upon my breast;

 

[26r]

 

26

 

             Meantime his love maintains my life

                And gives my sense her rest.

             Sing lullaby, my little boy,

             Sing lullaby, mine only joy!

 

I was a child too, but would now

     Be the child, and no other, hearing

This song low‑breathed upon its brow.

 

             When thou hast taken thy repast,

                     Repose, my babe, on me;

             So may thy mother and thy nurse

                     Thy cradle also be.

             Sing lullaby, my little boy,

             Sing lullaby, mine only joy!

 

Oh, that I could return to that

     Happy time that was never mine

And which I live but to regret!

 

             I grieve that duty doth not work

                  All that my wishing would,

             Because I would not be to thee

                  But in the best I should.

             Sing lullaby, my little boy,

             Sing lullaby, mine only joy!

 

Ay, sing on in my soul, old voice,

     So motherfully laying to sleep

The babe that quietly doth rejoice.

 

             Yet as I am, and as I may,

                  I must and will be thine,

             Though all too little for thy self

                  Vouchsafing to be mine.

             Sing lullaby, my little boy,

             Sing lullaby, mine only joy!

 

Sing on and let my heart not weep

     Because sometime a child could have

This song to lull him into sleep!

 

             Yet as I am, and as I may,

                  I must and will be thine,

             Though all too little for thy self

                  Vouchsafing to be mine.

             Sing lullaby, my little boy,

             Sing lullaby, mine only joy!

 

Somehow, somewhere I heard this song,

     I was part of the happiness

That lived its idle lines along.

 

[27r]

 

27

 

             Yet as I am, and as I may,

                  I must and will be thine,

             Though all too little for thy self

                  Vouchsafing to be mine.

             Sing lullaby, my little boy,

             Sing lullaby, mine only joy!

 

Ay, somehow, somewhere I was that

     Child, and my heart lay happy asleep.

Now - oh my sad and unknown fate!

 

 

_____________________________________________________

*The “Lullaby” quoted is the 134th. poem in Palgrave’s Golden Treasury. It was taken by him from Martin Peerson’s Private Music, a Song-Book of 1620. The “Lullaby” is here given twice over, and the last stanza twice again.

 

[28r]

 

28

 

Prayer

 

Our lady of Useless Tears,

     Thine is my heart's best shrine.

I am sick with the gorging years,

     I am drunk with the bitter wine

Of having but cares and fears,

     Of knowing but how to pine.

 

It is useless to pray to thee,

     But my heart is full of pain.

Thy glance would be charity,

     Even if the look were disdain.

Give me that I may be

     A child like thine again.

 

My sense of me is all tears.

     I pity my heart too much.

Oh, a cradle for my fears

     And the hem of thy garment to clutch!

Oh, wert thou alive and near us,

     And thy hand a hand that could touch!

 

I do not know how to pray.

     My heart is a torn pall.

See how my hair grows gray.

     Oh, teach my lips to call

On thy name night and day

     As if that name were all.

 

My fathers' faith doth rise

     To my lips this sick hour.

I pray to thee with mine eyes

     Rosaries of anguish. O dower

My soul with a least sweet lies

     Of thy suffering son's power!

 

I have forgotten the taste

     Of faith, and ache for prayer.

My heart is a garden laid waste.

     Oh, thy hand on my hair

Like a mother's hand let rest

     And let me die with it there!

 

[29r]

 

29

 

Omit or correct much

 

Summer Moments

 

I

 

The sky is blue,

     The glad grass green.

My sad eyes woo          – woo?     

     The alien scene.

 

Oh, could my heart

     Partake of it

And feel no smart

     Feeling life flit!

 

I have no home,

     No hours save pain.

Sweet breezes, come

     Into my brain!

 

Great river so

     Quiet and true,

Teach me to go

     Through life like you!

 

I have no rest.

     My flowers have faded.

What was that quest

     My will evaded?

 

✓ Even what I wish

     I care not for.

My heart is rich

     And my love poor.

 

Oh, golden day,

     Come into me

And my soul ray

     With sunlit glee!

 

Let me be merely

     A window‑pane

You pass through, clearly

     A warmed no‑pain.

 

I faint and shiver

     Hearing life come.

O passing river,

     Where is my home?

 

O happy hours

     That the fields wear,

Fresh summer showers!

     O my despair!

 

[30r]

 

30

 

O glad horizons!

     O happy hills!

What pain imprisons

     My struggling wills?

 

What is between

     Myself and me?

What should have been

     Lest this should be?

 

My life no more

x    Ever to be

Than a lone shore

     Struck by the sea!

 

What fate, what power

x    Of dark despair

Makes each fair hour

     Taste as not fair?

 

Oh, for some rest!

x    Give me a home,

A hope, a nest

     Not to stray from!

 

Somewhere in life

     Sure there must be

Something not strife

     Waiting for me.

 

Lead me to it,

     O happy day!

Make my heart fit

     Thy going away!

 

Wake me hopes

     At least, though false,

My spirit gropes

     Round prison‑walls.

 

✓ Low voice of streams,

     Sweet summer's wife -

Why made I dreams

     My only life?

 

[31r]

 

31

 

II

 

The sun shines.

     Birds pass.

The path lines

     The grass.

 

I go through

     The meads,

Far from woe

     And deeds.

 

There is no hope

     Now here,

Nothing to grope

     For or fear.

 

✓ Nothing: the sky

     And the green earth;

A vague wonder why

     There was birth.

 

✓ This and no more,

     This and my soul

And the sky o'er

     This nothing's all.

 

I am again

     The child I was,

Having no pain

     More than the grass.

 

I live a life

     Freed from the morrow

And forget strife

     And sorrow.

 

What were the shapes

     Of fear and hope?

Vines show their grapes

     Down the hill‑slope.

 

This real hour

     Shall not survive,

Yet shall't endure

     Because I live.

 

So let the glades

     And the sky's blue

In vague soul‑shades

     My heart come through,

 

Till I become

     An outward thing,

Having no home;

     A breath, a wing,

 

[32r]

 

32

 

 

A portionless

     Part of the hour,

Outside the stress

     Of being more.

 

Low voices coming

     Out of the day,

Chirping and humming

     Near and away,

 

Make me a part

     Of what you are,

Spill out my heart,

     Shake it afar!

 

Let my soul be

     A dust thrown up

To the winds' glee,

     In the sea's cup!

 

There lost and mixed,

     There selfless made,

No longer fixed

     And casting shade.

 

This hour must pass

     Like all I know;

Yet, while it was,

     Fresh was my brow,

 

My eyelids drooped

     With final ease,

I was not cooped

     In thought's disease.

 

So let me rest

     This while and deem

That life the best

     That's most like dream.

 

✓ This hot hour is

     Of that vague size,

For I see this

     Through no clear eyes,

 

✓ But in a dim

     Abandonment

Live in the rim

     Of my thought's bent,

 

✓ And this thought now's

     A blade of grass

That not even knows

     Hours pass.

 

[33r]

 

33

 

III

 

A gentle wind hath risen

     Out of the heated day.

May my soul be forgiven

     Its dreams! O let me pray

 

That this freshening hour

     May cling to memory

And have years after power

     To live again in me!

 

'Tis very little, I know,

     But it is happiness,

And the hours are but few

     That we can really bless.

 

They are hours like this, freed

     From belonging to thought,

When we have nought to heed

     Save a breeze that is nought.

 

Let me therefore breathe in

     Into my memory

This hour, and may it begin

      Again whenever I see

 

My heart grow heavy and hot,

     My thoughts grow close and late

O soft breeze, fan my thought!

     O calmness, brush my fate!

 

[34r]

 

34

 

Emptiness

 

The day sickens into the lakes

     The colour that its pallor wears.

A loss of outline overtakes

     The landscape, and the horizon bears

Like a defeated flag the dim

Purposelessness of its dead rim.

 

Let my heart forsake everything.

     I shall be richer by all I.

Every breath, each passing wing

     Takes me from myself. The whole sky

Eats into my self‑consciousness

And detracts from my true distress.

 

For my true sorrow is not that

     The day is sad as I am sad,

But that no moment can abate

     The pain that I but pain have had

To take with me and see and feel

While life goes by like a mere wheel.

 

No: vaguer things than skies and plains

     Are dark and lowered o'er in me;

My sorrows are more empty pains

     Than of which plains can symbols be;

And my void weight of life and self

Resembles nothing but itself.

 

[35r]

 

35

 

Correct

 

Monotony

 

Each hot and shaded ember

     Includes the outer wet.

Let us, my life, dismember

     Our thoughts into regret.

 

The meaning wind blows colder

     Upon the wetted pane.

Our hearts, alas!, feel older

     In seeking to live again.

 

The night hurts[25]. Each red ember

     To hotter redness fret!

Alas! When I remember

     I wish I could forget.

 

What vague and cold gusts enter

     My soul as by a door!

My soul is the living centre

     Of dreams[26] that are no more.

 

Startle yet more each ember!

     Make the fire nearer yet!

How easy it is to remember

     When memory means regret!

 

The wetting wind is higher

     All round my senses lone.

My eyes leave not the fire,

     My lips a vague name moan.

 

Shift uselessly each ember!

     All our soul is regret.

We regret what we remember

     And regret what we forget.

 

Oh, colder and wilder blowing

     The wind through the wet gloom!

|On the grave of my past is glowing

     A red rose in full bloom.|

 

A darkness takes each ember.

     I stir them not, yet fret.

Our life is to remember

     And our wish to forget.

 

[36r]

 

36

 

 

My mystery comes to touch

     My shoulder till I dread.

The red rose is dead. Such

     As I was is now dead.

 

Could I wish to forget, pale ember,

     Without pining or regret!

Or could I wish to remember

     Without wishing to forget!

 

[37r]

 

37

 

Sister Cecily[27]

 

Exact

 

Alas for Sister Cecily!

To whom prayeth she,

Till feet are numb and pained knees torn[28]

     And pale lips inward driven,

X Far-gazing[29] orisons at morn,

     Low‑lidded prayers at even?

 

She prayeth to Mary, Mother and Queen,

Who still hath been

Who keepeth child and maid from harm,

     Our Lady with eyes of dole,

With a lily along her conscious[30] arm

     And a |virgin's|[31] aureole.

 

For of the Virgin it is said

That she hath bled

At seven pains for her sad son

     And therefore for us all,

Whose souls by heavenly hands are spun

     Out of the same white wool.

 

So to her prayeth Cecily,

That all may be

Washed pure in the perennial fount

     Where the saints meet,

And given to reach the Shining Mount

     Though with torn feet.

 

And though she know me not, nor pray

For me, oh! may

Her prayer for man's woe make me part

     Of what she says,

So a vague rest fall on my heart

     Because she prays.

 

[38r]

 

 

IV

 

 

FOUR SORROWS

 

[39r]

 

39

omit

 

Rivers

 

Many rivers run

     Down to many seas.

All my cares are one:

     On what river of these

     Could my heart have peace?

 

Two banks to each river.

     None where I may stray

Hearing the rushes shiver

     And seeing the river ever

     Pass, yet seem to stay.

 

Maybe there is another

     River, but far in Me.

There I may meet the Brother

     Of my eternity.

     In what God will this be?

 

|Nothing: all the leaves

     Fallen from the tree.

Many a river cleaves

     Its way past what grieves

     To what grieves for[32] me.

 

 

date

28/2/13

 1/3/13

 

[40r]

 

40

 

Correct

impression

exact

Meantime

Far away, far away,

     Far away from here...

X There's no running[33] after joy

     Or away from fear,

     Far away from here.

 

Her lips were not very red

     Nor her hair quite gold.

Her hands played with rings.

     She did not let me hold.

     Her hands playing with gold.

 

She is somewhere past,

     Far away from pain.

Joy can touch her not, nor hope

     Enter her domain,

     Neither love in vain.

 

Perhaps at some day beyond

     Shadows and light,

She will think of me and make

     All me a delight,

     Far away from sight.

 

 

Publ. ed. Aguilar, 1965

p. 624

 

[41r]

 

41

 

Correct.

 

Episode

 

No matter what we dream,

     What we dream is true.

No matter what doth seem,

     God doth it view

And therefore it is

Real as all this.

 

No matter what we wish,

     We have it elsewhere

|Now, e'er now, and rich

     Are we here of there.| ✓

|Inside our felt I

God we self‑descry.|

 

Sometimes I think hope

     May make this come true,

But I stop, I grope,

     And life, fear and woe

Is all that remains.

Wherefore then these pains,

 

This unrest that thrills

     With a possible joy

All the pain that fills

     Our hope till it cloy?

Wherefore this, wherefore

If all is unsure?

 

Oh, give me a breeze

     On a meadow land,

And let that breeze please

     Nor I understand.

For all anguish is

A vague wish for bliss.

 

[42r]

 

42

 

impression

 

exact

 

Nothing

 

The angels came and sought her.

     They found her by my side,

There where her wings had brought her.

     The angels took her away.

     |She had left their home, their God‑bright[34] day|

     |And come by me to abide.|

 

She loved me because love

     Loves but imperfect things.

The angels came from above

     And bore her away from me.

     They bore her away for ever

     Between their luminous wings.

 

'Tis true she was their sister

     And near to God[35] as they.

     But she loved me because

My heart had not a sister.

     They have taken her away,

     And this is all there was.

 

[43r]

 

 

V

 

FEVER-GARDEN

 

[44r]

 

44

 

insert, with few, if any, corrections

_____________________________________

impression (is it unique?)

______________________________________

 

Fever‑Garden

 

I

 

Red living flakes of demon snow

     Poison‑relate the sinning air

To atom‑clear red sick flowers who

     Rootless jut out of Night and There[36]

 

Relation being itself a clutch

     Upon the throbbing veins in seeing

So the surviving over‑much

     Is not contiguous to being

 

Yet[37] philter‑aureole or lay

     Sung round the rites of altared vice

The poppies of o'er‑memory may[38]

     Spin[39] cobweb‑circles lusting thrice

 

Around the phallic selfness stood

     Midway from intellect to sense

Round whose void a tongued mist thrust‑dense

     To the cut lips gives conscious blood

 

II

 

She the despised communion owes

     To vice of tainting holy things

And making eucharists of throes

     When lust tickles with pin‑soft wings

 

For her mouth red till purple is black

     Supplies a space in the lost rites

|And intermits our heart‑beats' track

     Senseward to demon infinites|

 

Till on the point of the spasm cast

     Like a mantle on consciousness

The veil is rent in temple waste

     And the tongue‑flowers remouth from Space

 

And out of a sequestering lack

     The last dove in void oaks alights

 

[45r]

 

45

 

insert, perhaps with corrections

_________________________________

impression

 

The Broken Window

 

My heart is silent as a look.

     There is a home beyond the hills.

My heart is silent as a look.

     My home is there, beyond the hills.

 

I bear my heart like an old curse.

     There is no reason for regret.

I bear my heart like an old curse.

     Why should we reason or regret?

 

My heart dwells in me like a ghost.

     Beyond the hills my hope lies dead.

My heart dwells in me like a ghost.

     Beyond my hope the hills lie dead.

 

They took away my heart like weeds.

     It was not true that I should live.

They took away my heart like weeds.

     I could not think it true to live.

 

Now there are great stains in my heart.

     They are like blood‑stains on a floor.

Now there are great stains in my heart.

     And my heart lies upon the floor.

 

The room is closed for ever now.

     My heart is now buried alive.

My heart is closed for ever now.

     The whole room is buried alive.

 

 

Publ. in “Ocidente”, vol. 74, p. 272-273

 

[46r]

 

46

 

omit

 

Isis

 

In the cool pillared portico

     That gives white entrance to her moods

Start‑lovely stand in a mute row

     The statues of her pulchritudes.

 

Twelve are they and the mind doth gather

     Their separate seen lives to one sense;

The thirteenth, which is all together,

     Means her soul and its confluence.

 

Five statues mean the senses five,

     Seven are her mysteries of Thought.

The thirteenth seems somehow to live

     Beside her life and know it not.

 

The summer lies outside her shades,

     The breezes creep into her halls,

And from her windowed loss the glades

     Are something that the soul recalls.

 

She built her house with heavenly types

     Of building in her inner seeing.

The Sun makes the long pillars stripes

     On the cold, hard floors of her being.

 

Yet she is absent and despairing,

     Her statues await her New Hour,

And from the shadows of her hearing

     The whisper of the drones doth flower.

 

This was not anyhow nor when.

     All was as cool as dreams are cool

When breezes creep up to our pain

     And we are laid beside a pool,

 

And a far larger pool arises

     In our restored imagining,

And all our body's sense despises

     Our innate lack of fin and wing.

 

Still by her portico I stopped.

     The shadows there were clear and fast.

Slightly, as with a kiss, I hoped,

     And Having, like a swallow, passed.

 

[47r]

 

47

 

impression

 

Ennui

 

Under a low and sullen sky,

Frowned on by lone winds that moan by

And palely sick for light from high

Till the landscape's soul doth sigh forever(,)

     Forever sigh,

A black and calmness‑haunted river,

That doth a town from itself sever,

Runs with an inner fear and shiver

Like a dim fate forever nigh(,)

     Nigher forever.

 

Ay, through that landscape lapsed from dream

Into a horrid truth doth gleam

That self‑absorbed, self‑empty stream

That bears a dream of dreams' emotion

     To emotion's dream –

Runs from a land whence is no motion

Towards a possible far ocean;

And they, whose eyes anguished sans motion

Bathe in it, take emotion's dream

     For dreams' emotion.

 

[48r]

 

48

correct

 

L'Inconnue

 

Let thy hand set

     My hair back. Look

          Into mine eyes.

There runs a brook

     Right through the heat

          Of my hushed cries.

 

Let thy hand rest

     Upon my brow.

          Let thine eyes smile

Into the unrest

     Of mine eyes now

          Thine for a while.

 

Ay, forget not

     To let that touch

          Be felt by me,

Light like a thought

     Of it, and such

          As hope can be.

 

Let thy hand sweep

     Over my hair

          One little while.

I seem asleep

     But cannot bear

          To feel me smile.

 

All things have failed.

     All hopes are dead.

          All joys are brief.

               Ah, let thy hand,

As if it quailed

     From feeling sad,

          Give me relief!

          No matter if

               None understand.

 

Ay, on my brow

     Let thy hand be.

What life is now

     Is worth so little

     That pain seems brittle

And thought a slough.

 

[49r]

 

49

 

Put my hair back

     From my brow's pain.

There runs a track

     Of lightness through

My heavy brain.

 

What does this mean?

     These are words set

     To an idle tune.

What I regret

     Hath never been.

          Lest my rest fret,

               True rest, come soon!

 

[50r]

 

50

 

omit

 

Horizon

 

I

 

Unheard‑of fathoms in the deep sea,

     In cool caves deep

(The spoils of battle are not for thee)

     For ever sleep.

 

No upward vision or shining mount

     Rewards thy pain.

The secret angel keepeth no count

     Of thy lost gain.

 

On the sphynx's mouth the tale is dead,

     The path grass grown.

Our sorrow shall follow where thou hast led,

     Through the Unknown.

 

Waitest thou hidden, or quiet rest

     What silence forbids?

Give us at least thy unobtained quest

     And the flowered[40] meads.

 

II

 

Already the sea is a whitening line

     Along my wish,

And the wind is coming shadowy and fine

     With its eerie reach

 

To touch my common despair and pain,

     My wonder and night,

The subtle sense of the coming rain

     And my lost delight.

 

The missing reason for having love

     Is quiet with these,

The secret vision, the shining grove

     And the final trees.

 

[51r]

 

51

 

impression

 

Her fingers toyed absently with her rings

 

There are fallen angels in the way you look

     And great bridges over silent streams |at| your smile.    yes

Your gestures are a lonely princess dreaming over a book

     At a window over[41] a lake, on some distant isle.

 

If I were to stretch my hand and touch yours that would be

     Dawn behind the turrets of a city in some East.

|The words hidden in my gesture would be moonlight on the sea

     Of your being something in my soul like gaiety in a feast.|

 

|Let your silence tell me of the numberless dreams that are you.

     Let the drooping of your eyelids prolong landscapes far away.

The jets of water return on the listening of being untrue

     And this is the flower I pluck, with a sound, from what you unsay.|

 

Blossoms, blossoms, blossoms along the road of your going to speak.

     Eighteenth century gardens, so sad in the middle of our dreaming them now,

Are the way you are conscious of yourself on your eyelids, by your lips, through your cheek.

     A sick child sees the rain blur through the window of what you allow.

 

Do not |footfall| the silence that is the palace where our consciousness

     Is living at seeing gardens our duplicate lives of one soul.

What are we, in our dream of each other, but a picture which is

     The masterpiece of a painter that never painted at all?

 

 

Publ. in “Ocidente”, vol. 74, p. 275

 

[52r]

 

 

VI

 

 

SONGS AFTER SLUMBER

 

[53r]

 

53

 

X

 

The Lost Key

 

     Set out from sight of shore!

          Grow tired of every sea!

     All things are ever more

          Than most they seem to be.

What steps are those that pass outside my door?

 

     Fail out from shape and thought!

          Let sense and feeling fade!

     O sadness overwrought

          With joy till bliss is strayed!

What birds are those that my swift window shade?

 

     But be those steps no steps,

          And be those birds dreamed wings,

     Still one ache oversteps

          The life to which it clings,

Though to know what ache no step in me helps

And what this pang is no bird in me sings.

 

[54r]

 

54

 

The Sunflower[42]

 

I

 

All things that shine are God's eyes.

     All things that move are God's speech.

     Every thing has all to teach

To our awakening surmise.

 

Green are God's thoughts when they are leaves,

     Yellow when sunflowers they are.

     Yet they shine separate and far

|From the hands wherewith God weaves.

 

Light are my steps on the ground|

     Yet they do echo through space,

     Through terrible abysses that face

God at the side never found.

 

II

 

My dreams are angels' kisses.

     Lightly they touch my heart,

Tip‑toe shadow caresses.

     They are my Godder part.

 

There is a flower in my hand.

     It is not found in fields.

God looks and can understand,

     For He is the dreamer who builds.

 

He knows how dreams are set up,

     He knows how flowers are made glad.

Look: I hold up my cup

     And God gives me wine to be mad.

 

add a third part.

 

 

Publ. in “Fontes Impressas da

Obra de Fernando Pessoa”, José Galvão, Lx, s.d.

p. 112-113

 

[55r]

 

55

 

The Hours

 

The hours are weary of being hours.

     Oh, to be aught else! they say.

Their task's to age children, hopes and flowers,

     Paint lips cold and hairs gray.

 

They sicken and sadden and deaden beauty.

     When they pass and look behind,

Lining the path of their ended duty

     They only weeping find.

 

So, Oh, to be something else! they say,

     For they think they know

That the things and thoughts they take away

     Really fade and go.

 

But they do not know, blind misers screening

     A robber‑changed false pelf,

That everything has Another Meaning -

     Ay, even God Himself.

 

[56r]

 

56

 

|La Chercheuse| cf. with the title “L’Inconnue”

 

Pale with the sense of being mortal,

     Now dost thou, passing yearning's glades,

Knock with cold hands at the hushed portal

     Of the closed palace of the shades.

Thy hands fall and thy wide eyes grope.

Oh, let me kiss thy feet and hope!

 

Let us not wish to understand,

     Bravely despair even of despair;

Cold unfelt hand in cold dead hand,

     |Let us set out for mere Somewhere,|

With bodies by the cold made none,

By night to invisibleness done.

 

Perhaps, thus losing earthly goal,

     Our sense of us numbed to innerness,

Sudden we shall find ourselves all Soul,

     Hand in hand spirits, waked to bliss,

Having, through some Gate not in space,

Lo! lapsed to everlasting grace.

 

[57r]

 

correct

 

Song

 

Lilies cast and roses throw

In the way that she must go

Whom the singing planets hymn,

Sister of the seraphim!

 

Shifting motes of early sun

In the morning freshness spun

To light dresses for the breeze -

Clothe her coming such as these!

 

Shadows purple, fountain breaths,

Low mists such as dawning wreathes

Round the tree‑tops - these be made

Hers, for whom spring's feast is laid!

 

She to us from heaven descended

That dreams might with earth seem blended,

And unquietness more blest

Mingle with our life's unrest.

 

These the chosen offerings

From what earthly deep joy sings -

These to her we daily bear

Lest she pine for heaven here.

 

[58r]

 

58

 

Correct

impression

 

Anamnesis[43]

 

Somewhere where I shall never live

     A palace garden bowers

Such beauty that dreams of it grieve.

 

There, lining walks immemorial,

     Great antenatal flowers

My lost life before God[44], recall.

 

There I was happy and the child

     That had cool shadows

Wherein to feel |sweetly|[45] exiled.

 

They took all these true things away.

     O my lost meadows!

My childhood before Night and Day!

 

 

Publ. Ed. Aguilar, 1965

p. 621-622

 

[59r]

 

59

 

Chalice[46]

 

Chalice of my communion

     With the lost thing that gleams!

Communion‑bond of union

     Between me and my dreams!

O chalice of love's most!

In thy wine, earth's wine's ghost

     To lips that are God's flowers,

My soul has dipped the host

     Of my diviner hours.

 

My lips are as lips kissed.

     My sad soul happy sings.

O shining through the mist

     Of tremulous angels' wings!

I feel me God's moon's node,

A child again, outside life's road,

     Remembering how I found me

When I awoke from God

     And felt the world around me.

 

[60r]

 

 

VII

 

 

THE DROPPED TORCH

 

[61r]

 

61

 

______________

Omit or alter

altogether.

______________

 

Elevation

 

I

 

Before light was, light's bright idea lit

     God's thought of it,

And, because through God's thought light's thought did pass,

     Light ever was,

And from beyond eternity became

     The living flame

That trembles into life and reddens with

     Our life's soul‑width.

 

Before light was, when yet the night was queen

     O'er what had been,

In God's realized prescience it could be

     Light from eternity,

|For no time enters into God's thoughts or

     Their spaceless Hour.|

 

Take thou therefore, my Song, from light the mood

     Of being, and brood,

Like the Dove unbegot, over the abyss

     Of consciousness,

Taking as thy true part that thought of God

     Whence light issued.

 

Let my words burst into that divine flame

     That lights its name

Of each thing from within with ultimate meaning.

     Though earth be screening

With fixed appearance the Sun in each Thing,

     Bear, on thy wing

High‑lifted, rays from the unrisen Sun

     Whence life is spun.

 

Soar out, my Song, out of despair and night

     And catch that light

Ere it appear, from neath the horizon

     Of action,

Borne out of dreams by intuition bright

     Of endless light.

 

Though none believe nor any understand,

     Yet feel thee fanned

With those breeze‑breaths that come up with the morn

     From the Unborn.

Soar like a lark into the coming day

     And bear thy way

Into the possibility of noon

 

[62r]

 

62

 

 

     Hid in the dawn.

 

No matter that none know what thy words speak.

     A day shall break

Out of eternity as each day bright

     Out of each night.

Thy wings shall touch the slanting light of dawn

     And, upwards drawn

By being light‑struck, shall to light be near

     When light's yet far.

 

Hope is thy ready and high‑soaring flight

     Out of the night,

Joy is thy touching of the first high rays

     That day betrays,

Life is the course thy flight sequesters from

     Earth and its nightly doom,

And these three things are one in thy belief

     That pain is brief.

 

II

 

Thou, unseen Bird, essence of spiritual light,

     That yet art bright

With the epitome of the outer shine,

     Thou that art mine

And yet not mine but general to the earth,

     Wings of rebirth,

Whose song, though in me heard, participates

     Of all that all elates,

Thou point of meeting of me with the wings

     Hidden in all things,

Thou breath, thou vapour, seen and not seen, of

     Some abstract love,

Thou exhalation of the prisoned flight

     Of all things' weight,

Thou that in me art fear, mad splendour, all

     To ache and enthral,

Attract me, take me, o pure flight, and rise

     With me in thine eyes,

Lost, cast, unpetalled and divine, up to

     What thou dost woo!

 

O Spirit‑Lark that wakest ere the morn

     And art reborn

At each recoming of the sun, and art

     The wiser part

Of all that message is to our low eyes

     Of what shall rise!

Life‑weightless Bird that no meads can attract,

     But that must act

 

[63r]

 

63

 

Its fate in air, above our marshes sad

     And meads low‑laid,

In free heights communing with the Great Morn

     As yet unborn!

O sterile Bird that hast no nest nor home

     But what shall come,

That hast no song save in the heights above

     Nests, homes and love,

Nor any thought save for the coming day,

     Though far away

It seem to those who measure yet thy flight

     But by its height

And not by its intention, that is carried

     From life and married

To those diviner hours that winged things

     Find with their wings!

O Bird of ruthless song and untold wishes,

     Whose high flight reaches

Heights not of earth, but of pure air, encumbered

     With no joys weighed and numbered!

Take all my heart in thy purpose of going

     And make the flowing

Down to earth of my song be like thy song,

     Something strange, strong

With distance, eerily half‑perishing

     From farness! Sing,

And let my heart be what thou meanst with singings,

     My life with winging,

My hopes and fears with th’tone wherewith thy note

     To me doth float

And the great purpose hidden in my fate

     With thy mere height!

 

My heart shall thus be happy even if pained,

     Free even if strained

To keep that height of joy whence tremble down

     Thy songs to our own.

My soul may thus be happy, full and free.

     Oh, happily

Raise me from me and lift my life unto

     That thou dost woo -

The light, the sky, the distance and the morn,

     Till I be unborn

Again to pure dispersion in the seas

     Of the high breeze

That speaks to thee, ere light be born, of light,

     Till the delight

Of without being being shall make me

     Song and sky be!

 

[64r]

 

64

 

To One Singing

 

O voice the angels kissed when unbreathed yet!

O lips made spiritual with uttering it!

O eyes wild with the lust of the divine

In thy felt presence, making thee its shrine!

O that this moment of thee were Thyself!

That thou ne’er fell'st from this Thou, and the pelf

Of gathered days with avarice of living,

Touched thee not from this moment of God's giving!

O eternal actuality of thee!

O by thy voice sculptured immutably

In some stone‑flesh of spirit! O set free

From being all contained in being seen!

O firmament of joy purely serene

With spaciousness of soul and stars of song

Above thyself, God's human heights among!

 

Sing on, and let thy singing be a couch

To that of me which to my soul doth vouch

Of God as of a self and of a home!

Dissolve me to thy notes! Make me become

An outside of myself, and have in me

Nought but a selfless sense of hearing thee!

Let me pertain to the sounds thou dost voice!

Let me be other than I and rejoice

Hearing time like a breeze pass by the place

Thy song imprisons in its halcyon grace!

 

Thy voice compels to parapets from heaven

Dim winged happinesses whence is woven

To our souls such a glamour, spirit‑fair,

That, feeling it, all life becomes despair

And all the sense of life to wish to die.

Sing on! Between the music's human cry

And thy song's meaning there is interposed

Some third reality, less life‑enclosed,

Some subtler tenderness than music makes

Or words sung, and its moonless moonlight takes

Our visionary moods by their child‑hand

And our tired steps begin to understand.

 

Sing, nor stop singing till bliss ache too much!

O that I could, without moving my hand,

Stretch forth some hand imaginary and touch

That body of thine thy singing giveth thee!

That kiss‑like touch would wake eternity

 

[65r]

 

65

 

In me again, and, as by a great morn,

The night my body makes of me were torn

Away from being, and my unbodied shape

Would, like a ship doubling the final cape,

Come to that sight of port and shiver of coming

That God allows to those whose bliss of roaming

Is no more than the wish to find His peace

And mingle with it as a scent with the breeze.

 

[66r]

 

66

 

Correct

 

The Foreself

 

I had a self and life

     Before this life and self.

When the moon makes woods rife

     With possible fay or elf,

There comes in me a dreaming

That is like a light gleaming

     Somewhere in me away,

On seas that I have known

And placeless lands that own

     Another kind of day.

 

I dream, and as a blast

     Fans into fire an ember,

My heart gleams with a past

     That I cannot remember.

And as the ember's glowing

Is not fire but fire's showing,

     I waste the empty pelf

Of my mute sense of me.

As rain within the sea

     I fade within myself.

 

There are mazes of I.

     I am my unknown being.

I have, I know not why,

     Another kind of seeing

(Other than this vain vision

That is my soul's division

     From what girds sight about)

Where to see is to know,

Whose life is faith, and woe

     Fled by the hand of Doubt.

 

My life has happy hours:

     'Tis when I feel not living;

And, as the scent of flowers

     Round flowers a flower‑soul weaving

That is a corporate spirit,

From myself I inherit,

     My soul's blood's spirit‑air,

A foreself and inself

Which is the being‑pelf

     That with God's loss I share.

 

[67r]

 

67

 

The Bridge

 

Kisses on me like dew

     Pour, and it shall be morn

My wakèd spirit through.

     My bowed, greyed head adorn

With bays, that I may view

     My shadow crowned and smile even as I mourn.

 

Although my head is bent,

     Thy feet, sandalled with hope,

Pass and are eloquent

     I' th' way they do not stop.

Somewhere i'th' grass they are blent

     With that of me that does for meanings grope.

 

Let us be lovers aye,

     Out of all flesh agreeing,

Lovers in some new way

     That needs not words nor seeing.

Thus abstract, our love may

     Not ours, be but a vague breath of Pure Being.

 

[68r]

 

68

 

correct

 

The King of Gaps

 

There lived, I know not when, never perhaps­ -

     But the fact is he lived - an unknown king

Whose kingdom was the strange Kingdom of Gaps.

     He was lord of what is twixt thing and thing,

Of interbeings, of that part of us

     That lies between our waking and our sleep,

          Between our silence and our speech, between

Us and the consciousness of us; and thus

     A strange mute kingdom did that weird king keep

          Sequestered from our thought of time and scene.

 

Those supreme purposes that never reach

     The deed - between them and the deed undone

He rules uncrowned. He is the mystery which

          Is between eyes and sight, nor blind nor seeing.

     Himself is never ended nor begun,

Above his own void presence empty shelf.

          All He is but a chasm in his own being,

The lidless box holding not‑being's no‑pelf.

 

All think that he is God, except himself.

 

[69r]

 

69

 

Correct

 

The Loophole

 

I shall not come when thou wilt call,

     For when thou call'st I am with thee.

     When I think of thee, within me

Thyself art, and thy thought self’s all.

 

Thy presence is thy absence drest

     In thy body that hides thy soul.

‘Tis in me that thou art possessed,

     'Tis in my thoughts that thou art whole.

 

|Outside thee, given to time and space,

     Thy body, thy mere loss to me,

Partakes of change and age and place?

     Belongs to other laws than thee.|

 

In my dream of thee nothing changes

     Thyself to other than thou art.

     Thy corporal presence is that part

Of thee that thee from thee estranges.

 

Therefore call me, but await not.

     Thy voice, summed to my dreaming thee,

Shall put new beauty on that thought

     Of thy body that dwells in me.

 

Thy voice heard from afar shall bring

     Nearer to me thy presence dreamed.

     Brighter and clearer than it seemed

It grow'th in my imagining.

 

Then call no more. Thy voice twice heard

     Along the real space would be

     Too near now to reality.

Thy second voice were thy first blurred.

 

Call me but once. I close mine eyes

     And let the second call be dreamed,

     Thy body's vision lightly gleamed

On my seeing memory of thy cries.

 

The rest, eyes shut lest thou appear.

     Shall be thy clear continuance

     In my dream's constancy askance.

Keep far, keep silent, come not here,

 

[70r]

 

70

 

For thou wouldst come too near for sight

     And out of my thoughts step to thee,

     Putting on thy dreamed body in me

     (Thy body's form‑dream infinite)

     Thy limit, visibility.

 

     Putting on thy body dreamed sight

     Thy limit, visibility

 

[71r]

 

71

 

Correct

 

The Abyss

 

Between me and my consciousness

Is an abyss

At whose invisible bottom runs

The noise of a stream far from suns,

Whose very sound is dark and cold ­-

     Ay, on some skin of our soul's deeming,

Cold and dark and terribly old,

     Itself, and not in its told seeming.

 

My hearing has become my seeing

     Of that placelessly sunken stream.

Its noiseless noise is ever freeing

     My thought from my thought's power to dream.

Some dread reality belongs

To that stream of mute, abstract songs

That speak of no reality

But of its going to no sea.

 

Lo! with the eyes of my dreamed hearing

I hear the unseen river bearing

Along to where it goes not to

     All things my thought is made of­ - Thought

Itself, and the World, and God, who

     On that impossible stream float.

 

Ay, the ideas of God, of World,

     Of Myself and of Mystery,

As from some unknown rampart hurled,

     Go down with that stream to that sea

It has not and shall never reach

     And belong to its night‑bound motion.

Yet oh for that sun on the beach

     Of that unattainable ocean!

 

Publ. Ed. Aguilar, 1965

p.623

 

[72r]

 

 

VIII

 

 

THE LABYRINTH

 

[73r]

 

73

 

Fiat Lux[47]

 

Into a vision before me the world

Flowered, and it as when a flag, unfurled,

Suddenly shows unknown colours and signs.

     Into an unknown meaning, evident

And unknown ever, it outspread its lines

     Of meaning to my passive wonderment.

The outward and the inward became one.

Feelings and thoughts were visible in shapes,

And flowers and trees as feelings, thoughts. Great capes

Stood out of Soul, thrust into conscious seas,

And on all this a man‑sky spoke its breeze.

 

Each thing was linked into each other thing

By links of being past imagining,

But visible, as if the skeleton

Were visible and the flesh round it, each one

As if a separate thing visibly alone.

 

There was no difference between a tree

And an idea. Seeing a river be

And the exterior river were one thing.

The bird's soul and the motion of its wing

Were an inextricable oneness made.

And all this I saw, seeing not, dismayed

With the New God this vision told me of;

For this was aught I could not speak nor love,

But a new sentiment not like all others,

Nought like the human feelings, men are brothers

In feeling, woke on my astonished spirit.

With a great suddenness did this disinherit

That thought that looks through mine eyes of the pelf

Of ordered seeing that maketh it itself.

 

O horror set with mad joy to appal!

O self‑transcendency of all!

O inner infinity of each thing, that now

Suddenly was made visible and local, though

No manner of speech to speak these things in words

Followed that vision! Sight whose sense absurds

Likeness of like, and makes disparity

Contiguous innerly to unity!

 

How to express what, seen, is not expressed

To the struck sight that sees it? How to know

What comes to senses' threshold to bestow

A visible ignorance upon the knowing?

How to obey the analogy‑behest,

Community in unity to prove

 

[74r]

 

74

 

The intellectual meaning of to love,

Shipwrecking difference upon the sight

Renewed from God to Inwards infinite?

 

Nothing: the exterior world inner expressed,

The flower of the whole vision of the world

     Into its colour of absolutely meaning

In the night unfurled,

And therefore nought unfurling, abstract, that,

     Vision self‑screening,

Patent invisible fact.

 

Nothing: all,

And I centre of to recall,

     As if Seeing were a god.

The rest the presence of to see,

Hollow self‑sensed infinity,

     And all my being‑not‑souled‑to‑oneness trod

To fragments in my sight‑dishevelled sight.

 

This Night is Light.

 

[75r]

 

75

 

_______

exact

correct

_______

 

A Summer Ecstasy

 

Beside a summer's day

     I lay me down and dreamed.

The light from far away

     In my withinned self gleamed,

An unreal true glow,

Spiritually somehow.

 

I saw the inner side

     Of summer, earth and morn.

I heard the rivers glide

     From Within. I was borne

To see, through mysteries,

How God everything is.

 

The motes of sun that dance

     Are audibly whispered.

All is an utterance.

     The sight may hear. I shed

Vision of things as things.

My thoughts are angels' wings.

 

The corpses of known hours

     In barks unsteered and left

Float, covered with mute flowers,

     Down my dream that is cleft

In banks of mystery ­-

This summer day and I.

 

And something like a greed

     And yet unlike a wish,

The power to have a need

     Which doth not needing reach,

But is dissolved again

Ere its sad joy reach pain,

 

A shadowy lightness woven

     Of the day and of me,

Like sparkling water driven

     Never but where we see,[48]

A gap, a pause, a dim

Looking over things' rim,

 

Starts like a sudden flute

     Pastoral with tuneless notes

Out of the unseen root

     Of all my being denotes,

Spreads, till I feel it not,

O'er my lost sense of thought.

 

[76r]

 

76

 

And lo! I am another.

     My senses taste not‑mine.

A hand my sight doth smother

     To a blind sight divine.

I am a lost tune, a mood

Of the finger‑tips of God.

 

So, like a child‑king crowned,

     I feel new with fear‑pride.

I am robed with sky and ground.

     My inmost soul's outside

Is sunlit seas and lands.

My dreams are seraphs' hands.

 

[77r]

 

77

 

correct

 

Mood

 

My thoughts are something my soul fears.

     I tremble at my very glee.

     Sometimes I feel arrive in me

A dim, a cold, a sad, a fierce

     A lust‑like spirituality.

 

It makes me one with all the grass.

     My life takes colour at all flowers.

The breeze that seemeth loth to pass

     Shakes off red petals from my hours

     And my heart sulters without showers.

 

Then God becomes a vice of mine

     And divine feelings an embrace

That sinks my senses in its wine

     And leaves no outline in my ways

Of seeing God flower, grow and shine.

 

My thoughts and feelings mingle and form

     A vague and hot soul‑unity.

Like a sea that expects a storm,

     A lazy ache and fret make me

A murmur like a coming swarm.

 

My parched thoughts mix and occupy

     Their interpresences and swell

To each others' places. I descry

     Nought in me save impossible

Mixtures of many things all I.

 

I am a drunkard of my thoughts.

     My feelings' juice o'erruns my soul.

     My will becomes soaked in them all.

|Then life stagnates a dream and rots

     To beauty in my verses' dole.|

 

[78r]

 

78

 

Inversion

 

Here in this wilderness

     Each tree and stone fills me

     With the sadness of a great glee.

God in His altogetherness

     Is whole‑part of each stone and tree.

 

An inner outward seeingness

     Makes my clear self unknown.

     (O Godfully alone!)

God in His overbeingness

     Survives His death each tree and every stone

 

Ay, in the barkness and clodfulness

     Of tree and sand and stone

     God is only His Own,

God in all His godfulness,

     Whose concrete soul's each thing's abstraction.

 

[79r]

 

79

 

Sonnet

 

God made my shivering nerves His human lyre,

     A lyre whose curves in angels' faces end.

When God doth sing, the song’s invisible fire

     And half‑visible wings over it bend.

Fountain of incorruptible desire!

     Gold‑misted green isle where my bark doth tend!

My soul, rich with electedness, doth tire

     My sense of me with aches with God to blend.

 

But lo! to live is to be blent with God

     Already. We need nought but life, all life.

Pain, evil, hate, lust, treachery, the rod

     Of custom, the bypath of dreams, the knife

Grief hideth till it cut her, the delight

     Of death – all these are God’s willed spite.

 

Publ. in “Ocidente”, vol. 74, p. 280

 

[80r]

 

80

 

Summerland

 

One day, Time having ceased,

     Our lives shall meet again,

From Place and Name released.

     Only that shall remain

Of each of us that may

Seem natural to that Day.

 

There we will newly love,

     Wondering at the old mood

With which love did us move,

     When pain and solitude

Were what each soul had got

For its contingent lot.

 

There, heaven being between us

     And touch a real thing,

The texture luminous

     Of our true lives will bring

God into our love like breath.

Nowhere will there be death.

 

The need to suffer and sigh,

     The inevitable cares,

The awaiting and the cry

     That goes from joy to tears -

These have no need to be

In love's eternity.

 

The hours shall make our love

     Grow younger, not more old.

Some trick of time shall move

     Wont even to truer gold,

Regret shall not be aught

Possible there to thought.

 

That region light‑suspended

     Under truer blue skies

Shall let our souls feel blended,

     Yet be true unities.

Nought shall have power to fret

Our hearts to tire of it.

 

A golden land where God

     Stayed a Day of His Time,

Not as the world, where not

     A moment did he abide,

And where His passing left

The sense of aught bereft.

 

My heart, that thinks of this,

     Pines, for it is nowhere,

 

[81r]

 

81

 

And she that meets my bliss

     With her new old love there -

She is unreal as all

That to this verse I call.

 

Yet who knows? Perhaps this

     Is not wishing, but seeing.

Perhaps this love, this bliss,

     This conscious glad not‑being

Is some reality

Through fancy seen by me.

 

Perhaps it casts a spell

     From where it can be found.

What is impossible?

     Where is God's bourne and bound?

Why, if I dream this, may

Not this be mine one day?

 

Who knows what our dreams are?

     Who knows all that God makes?

Perhaps life doth but mar

     The immediate truth that takes

Its beauty from being dreamed.

Nothing e’er merely seemed.

 

Somewhere where God is nearer

     These things are een now true.

Oh, let me be no fearer

     That this may not be so!

All is more strange than that

Small glimpse of it we get.

 

Mine eyes are wild with joy

     Because I have these thoughts.

They cannot tire nor cloy

     Because God ever allots

To each high thing the power

To weigh not on its hour.

 

My flower garden is

     Full of new flowers now.

My lips are kissed by bliss

     Because I know not how.

My heart fails and I swim

Within a luminous rim.

 

A halo of hope comes round

     My soul. I am that child

That cries: Lo! I have found

     This flower strange and wild.

The unknown flower I have

Grew on my dead dreams' grave.

 

[82r]

 

82

 

A trembling sense of being

     More than my sense can hold,

A bird of feeling seeing

     The great, earth‑hidden gold

Of the approaching dawn,

A breath, a light, a swoon,

 

A presence interwoven

     With rays of other light,

A spell, a power untroven

     Of my more clear delight,

I faint, I fade, I seem

Myself to be my dream.

 

And if this be not so,

     Oh, God, make it now be!

Let me not find more woe

     Because I so dreamed Thee!

Let aught for which I pine

Merit being divine.

 

Let this resemble heaven

     And be my home for e'er,

Even if for e'er mean living

     But this hour really fair.

An hour in God shall be

Enough eternity.

 

[83r]

 

83

 

The End

 

God knows. Lie we to sleep

     Contentedly somehow,

Smiling that we did weep,

     As at an overthrow

Of kingdoms the stars, deep

     In silence, smile nor[49] know.

 

God knows. And an He knew not

     And were not, what of it?

No matter that we do not

     Our life with living fit.

Glad to have sleep and tears,

     Lullaby to our fears!

 

 

Publ. Ed. Aguilar, 1965

p. 623-624

 


 
[1] (Far Away)/Meantime\
[2] First his wild music flowed /The middle of that music flowed\

     Into the village that day. /Into the night {…}\

 

He suddenly was in the lane,/They felt him pane in the lane\

     The people came out to hear, /And went out in {…} to hear;

He suddenly went, and in vain /But all that they heard was pain\

     Their hopes wished him to appear. /And a scarry burring fear.\
[3] Was something /Is somehow/way\\
[4] shall /will\
[5] Goblin /Elf\
[6] Tremulous /Shaking\ under /or “within” stet\
[7] |soul| /heart\
[8] |I fade from life's control!| /Speak not to me! I smart!\
[9] Elsewhere /Inset\ /(Sunset)?!\
[10] Far Away /being gay\
[11] current /’s\/shut\
[12] my inner sight /sense from my inner sight\.
[13] in my mystery /I feel it to be,\

     I dream and read and /its passing making\
[14] Its /That\
[15] Looking at the Tagus /Moonside\
[16] Born even to miss her {…}?

     /That follows in her missèd tracks?\ 
[17] |And hope wakes for the will come soon.|

     /And what means in her shall □\ 

        /And what remains she will come soon.\
[18] Frenzy /Splendour\
[19] O wave in me that swells/Frenzy that in me swells\
[20] not in reality; /with hands’ reality\
[21] scent/colour\
[22] Through/Round\ my sense‑screens/lost sensuousness\
[23] |And life, life's hearse, /Till cares disperse\

     Leaving dreams free, /|Like leaves set free|\

          Shrink undefined /Where the quick wind\

               Into the Unknown.| /Freshens its moan.\
[24] Br/M\otherly
[25] hurts /aches\
[26] dreams /lives\
[27] Sister Cecily /The Ruined Cloister\
[28] torn /worn\
[29] Far-gazing/looking\
[30] conscious /lowly\
[31] |virgin's| /smaller\
[32] for /in\
[33] running /worry stet\ /true course\ /rain\
[34] God‑bright /brighter\
[35] God /joy\
[36] There /there\
[37] Yet /For\
[38] may /stray\
[39] Spin /Twice\
[40] flowered /human\
[41] over /through which\
[42] The Sunflower /Song after Slumber\ - then?!
[43] Anamnesis /[or Awak/(en)\ing]\
[44] God /soul\
[45] |sweetly| /idly\ /vaguely\
[46] Chalice /The Butterfly. (?)\
[47] Fiat Lux /The Labyrinth\
[48] Never but where we see, /When through trees we halfsee,\
[49] smile nor /smiling\

https://modernismo.pt/index.php/arquivo-almada-negreiros/details/33/7354
Classificação
Literatura
Dados Físicos
Dados de produção
Inglês
Dados de conservação
Biblioteca Nacional de Portugal
Palavras chave
Documentação Associada
Publicações parciais: Fernando Pessoa, Obra Poética, Organização, introdução e notas de Maria Aliete Dores Galhoz, Cronologia da vida e da obra do poeta João Gaspar Simões, Rio de Janeiro, Editora José Aguilar, 1960, pp. 680-681; Fernando Pessoa, Obra Poética, Organização, introdução e notas de Maria Aliete Dores Galhoz, Cronologia da vida e da obra do poeta João Gaspar Simões, Rio de Janeiro, Editora José Aguilar, 1965, pp. 621-625; Georg Rudolf Lind, “Oito poemas ingleses inéditos de Fernando Pessoa – Comentados por Georg Rudolf Lind” [Versão portuguesa de Paulo Quintela], In: Ocidente – Revista Portuguesa Mensal, vol. 74, n.os 357-372, Janeiro a Junho de 1968, pp. 265-290;
José Galvão, Fontes Impressas da Obra de Fernando Pessoa, Lisboa, s.n., s.d, pp. 112-113.
Publicação integral: Fernando Pessoa, O Louco Rabequista, Tradução e nota prévia de José Blanc de Portugal – Edição Bilingue, Lisboa, Editorial Presença, 1988.