Virtual Archive of the Orpheu Generation

Literature
Medium
F. Pessoa - Heterónimos ingleses
BNP/E3, 13 – 40
BNP/E3, 13 – 40
Charles Robert Anon
Identificação
Charles Robert Anon – [Trecho das secções III, IV e V do poema “Elegy” e fragmento do “Essay on Detective Literature”]

[BNP/E3, 13 – 40]

 

III

 

{…}

 

IV

 

Ah, what avails all mourning? Thou art gone

From life and hope and grand loveliness,

And that deep rest that man call drunkenness.

     Ah, Corydon! Ah Corydon!

     Thou, the first hope of all our race,

Hast left the blessed paths of peace and love —

     Ah, wilt thou be content to rove

{…}

From shop to shop with her, thy mother-in-law,

     Or tremble pall to hear at night,

     With horror deep, and deep affright

The worthy torrent from thy spouse’s jaw?

 

V

Oh, the troubles to come to thee can ever I dare name?

To work on the day and at night to walk the bedroom’s length

On a seeming heavy baby to waste the seeming warning strength

And as the husband of thy wife to reach the light of fame.

Now my voice broken with weeping and mine eyes-red, as with sand:

And my stomach worn with sighing and with sighing won my breast

Ah farewell thee thou art gone now to the dreaded, obscure land

Where the wicked cease from troubling and the weary never rest.

 

Charles Robert Anon.

[40v]

 

___

___

     Ah, frailness of mankind, {…}

Thou, that didst sneer at woman and didst hold

Thyself superior, now (alas!) wilt find

Amid the waning joy and waning gold

     Thou learndst in a sorry school

          That thought thee to disdain

The seeming-tender being whose iron rules

          Shall now wreak on thee horrid pain!

     Too late now wilt thou learn, too late!

     When thy voice is low and humble thy gait,

     When thy soul is crush’d and thy dress sedate

The greatest of all ills the Gods on humans rain.

 

Charles Robert Anon etc Charles Robert Anon

 

_______________

6th April 1905

_______________

 

 

 

__________________________________________________

One great stumbling-block in the way of writers of detective stories is the difficulty they find in making the discovery of the criminal a real surprise to the reader. That is to say, a detective story loses much of its interest if the criminal, when discovered, turns out to be a person unknown (to the reader), that is, one who has not appeared in the tale. A writer of mean imagination thinks that he solves this problem by making a terrible series of embroilments, at the end of which a person the reader does not suspect is found to be the criminal, very often indeed, a person who has been helping the detective. Nay, I shall assert that I have somewhere read a detective story where the investigator himself turns out to be the criminal.

 

 

https://modernismo.pt/index.php/arquivo-almada-negreiros/details/33/6335
Classificação
Literatura
Dados Físicos
Dados de produção
Inglês
Dados de conservação
Biblioteca Nacional de Portugal
Palavras chave
Documentação Associada
Publicação parcial: Fernando Pessoa, Histórias de um Raciocinador e o ensaio «História Policial», Edição e tradução de Ana Maria Freitas, Porto, Assírio & Alvim, 2012, pp. 252-253.
Publicação integral: Fernando Pessoa, Charles Robert Anon – Escritos de uma personalidade pessoana, Edição, notas e introdução de Nuno Ribeiro & Cláudia Souza, Lisboa, Apenas Livros, 2016, pp. 82-83, 208-209.